Creating a rich user experience in VR with motion capture and real-time graphics generation.
I'm tired of waving at Kinect projects.
As a tech focused designer/creator I feel that it's important to look at technology as a medium for ideas, rather than rely on the gimmick of its "newness". I wanted to dive a little deeper and give people a reason to engage with an interactive, motion capture work beyond simply having the ability to do so.
In Shift resulted in two iterations: a physical room-scale version, and an VR version. In both cases, participants must move their bodies until they match the posture left by the previous participant. Once achieved, they experience their movements translated into an abstract liquid/smoke in real-time. The session gets recorded, and when it ends, their last position gets captured by the installation for the next person to match. Since each participant picks up where the last left off, each of their recordings links together in a seamless manner, creating a dynamically growing video chain.
Along with providing this movement version of the exquisite corpse practice, the installation provides some insight into my practice as a dancer embodying physical states. I often use image based physical states to find new ways of moving (as an example: imagining myself as steam, and then moving as steam). In this case, In Shift provides immersive feedback that responds to the movements of the participant, giving them real-time visual representation of their transformation.
Participant: Andrew McCormack. Video shot by Francesca Chudnoff, and edited by Luke Garwood
Photographs by Francesca Chudnoff
Photographs by Irvin Chow and Marlowe Porter